Sinematic by Robbie Robertson album reviews & Metacritic score: The first solo release from The Band guitarist since 2011's How To Become Clairvoyant was inspired in part by his work on the score for Martin Scorsese's The Ir...
Sinematic by Robbie Robertson album reviews & Metacritic score: The first solo release from The Band guitarist since 2011's How To Become Clairvoyant was inspired in part by his work on the score for Martin Scorsese's The Ir...
Ultimately, Of Desire finds the KVB in transition, moving toward a more inventive approach that delivers some of their finest work along the way. All this publication's reviews; Read full review; Drowned In Sound. Mar 21, 2016. 70. While not entirely unique, both [Mirrors and Second Encounter] provide a distinguished finale to Of Desire and one ...
For all its texture and depth, the synth-heavy production sounds nearly flat, but that's hardly an issue with the flourishes of creativity that make up of the bulk of ilp. Even for those of us can't see what Kwes sees when we hear his music, ilp is a colorful experience.
Metacritic Music Reviews, Swimmer by Tennis, The fifth full-length release for the indie pop husband-and-wife duo of Alaina Moore and Patrick Riley was self-produced and mixed by Claudius Mitt...
Metacritic Music Reviews, Cedars by Clearlake, This sophomore LP (and U.S. debut) for the English band was produced by the Cocteau Twins' Simon Raymonde....
Metacritic Music Reviews, Helioscope by Vessels, The post-rock band from Leeds, England, releases its second album produced by John Congleton....
It’s all rather good in a discombobulating way, where the monotonic tension of, say, the Pop Group, meets lavish, emotion-harboring flourishes reminiscent of Orange Juice and even, in a couple of places, the Joe Jackson Band. You can’t get too comfortable even being uncomfortable, because Omni likes to mix it up, the jitter and the sway.
Care For Me by Saba album reviews & Metacritic score: The second full-length release for the Chicago rapper was influenced in part by the death of his cousin Walter Long, Jr. and was co-produced with daedaePIVOT an...
Riitiir by Enslaved album reviews & Metacritic score: This is the 12th studio release for the Norwegian heavy metal band....
Metacritic Music Reviews, Always Tomorrow by Best Coast, The fourth full-length release from the indie rock duo of Bethany Cosentino and Bobb Bruno was produced with Carlos de la Garza and Justin Meldal-J...
Metacritic Music Reviews, Eremita by Ihsahn, This is the fourth solo album for the former lead singer of the Norwegian black metal band, Emperor....
Metacritic Music Reviews, Stray by Bambara, The fourth full-length release for the Brooklyn-based post-punk trio was produced by Drew Vandenberg....
Metacritic Music Reviews, On A Wire by The Get Up Kids, The third LP for Kansas City's Get Up Kids follows after endless touring with the likes of Weezer and Green Day, and sees the emo band moving in a ...
Into the Deep by Galactic album reviews & Metacritic score: The eighth full-length studio release for the New Orleans jazz-funk-jam group features guest appearances from Brushy One String, Macy Gray, JJ Grey, Maggie Koer...
Seesaw by Joe Bonamassa album reviews & Metacritic score: Produced by Kevin Shirley, the second release from Beth Hart and Joe Bonamassa includes covers of songs made famous by such artists as Aretha Franklin, Billie H...
AM by Arctic Monkeys album reviews & Metacritic score: Produced by James Ford and Ross Orton, the fifth full-length studio release for the indie rock band includes guest appearances by Josh Homme, Bill Ryder-Jones,...
Metacritic Music Reviews, Take Me Home by One Direction, The British boy band releases its second full-length release featuring production and songs written by such artists as Ed Sheeran, Carl Falk, Rami ...
Ism reflects its many homes and the many sounds that feed into the music of the Windy City. Which might sound restless, except Paul exudes such confidence that no matter the session, his bass makes it all hang together.
The collection ebbs and flows steadily, and it’s undeniably sleek in its vintage Americana-style production. Some songs leave the listener gagging for more, as Savior flexes masterful lyrics, effortless style and poise. This is a timeless collection.
The King of Limbs is very beat heavy, with Thom using his voice to complement the aura surrounding the left and right that make up the production of Nigel Godrich. There is a different Radiohead in every one of the eight songs on The King of Limbs, with the majority of the tunes relating back to the second set of songs on In Rainbows.